Music Video Shoot Abby Mccoy — The

To achieve the seamless marriage of movement and light, the crew employed a using OptiTrack Prime 13 cameras positioned around the set. The data from Abby’s and the dancers’ movements fed directly into BeatSync , allowing the LEDs to react within 15 ms of each motion. This created a feedback loop where Abby’s body lit up the environment, and the environment, in turn, informed her performance—a symbiotic dance between human and machine.

Makeup artist took inspiration from cyber‑punk cinema, using metallic pigments and glitter-infused gels to create a luminescent, dewy skin finish. Abby’s signature bold eyebrows were accentuated with a faint neon blue liner that glowed under UV light, giving her a fierce, other‑worldly look. Her hair was styled in a sleek, high‑ponytail with interlaced LED ribbons that flickered in time with the bass. the music video shoot abby mccoy

The duo drafted a mood board that mixed 80’s cyberpunk aesthetics (think Blade Runner and Akira ) with contemporary street art, integrating the work of Los Angeles muralists and Mira Kwon . The core idea: a single night in an imagined downtown L.A. that mirrors the internal rhythm of the song’s protagonist. To achieve the seamless marriage of movement and

| Role | Name | Notable Credits | |------|------|-----------------| | | Rae & Kade | Luna – “Starlight” , Mara – “Electric Dreams” | | Production Designer | Mila Torres | “The Last Run” (feature film) | | Cinematographer | Aria Liu | “Midnight Drive” (short) | | Choreographer | Darius “D‑Flow” Patel | Kanye West – “Pulse” (Live) | | Stylist | Jess “Jez” Han | Billie Eilish – “Oceanic” | | Makeup & Hair | Naomi Reyes | Adele – “Golden” (tour) | | Visual Effects Lead | Nikhil Patel | “Neon Alley” VR experience | | Lighting Engineer | Tomás Ríos | Coachella 2024 Light Show | | Music Producer | Elliot Vance | “Echoes” – J. Cole | | Editor | Maya Singh | “Neon Heartbeat” (cut‑down teasers) | The duo drafted a mood board that mixed

– A cropped bomber jacket crafted from mylar‑infused silk that reflected the surrounding neon. Its interior lining featured a hidden OLED strip that pulsed in sync with the music, visible only when Abby turned.

– A subdued, almost introspective movement, featuring slow, fluid motions that echo the song’s opening piano. The lighting is low, focusing on a single spotlight that tracks Abby’s silhouette.