Barad, K. (2007). Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning . Durham, NC: Duke University Press.
Leana Lovings. (2022). “Cyborg Flesh and the Politics of Memory.” ArtTech Quarterly , 7(1), 22‑38. missax leana lovings
The concept of post‑digital describes a cultural moment where digital technology has become so ubiquitous that it recedes into the background, yet continues to shape perception. Scholars such as Manovich (2013) argue that this “post‑digital condition” foregrounds materiality within the digital sphere. Lovings’ installations exemplify this tension, as they materialize code through tactile objects, thereby challenging the binary between the virtual and the physical. Barad, K
Leana grew up in a multicultural household that celebrated a mixture of Appalachian folk traditions, African‑American spirituals, and South‑Asian textile motifs (her mother’s best friend, a Bengali weaver, lived next door). Family evenings often featured storytelling circles, impromptu jam sessions, and collaborative art projects that turned the living room into a living laboratory. Durham, NC: Duke University Press
A design was adopted, combining:
The next phase for the “Resonance: A Mobile Archive” project is an slated for 2025‑2026, visiting: