Roger Deakins’ cinematography creates a visual language that shifts from the drab grays of the prison yard to the warm golden hues of hope, serving as a visual metaphor for the film's central thesis: that hope is a good thing, maybe the best of things, and no good thing ever dies.
Description of the issues I found in the implementation of various Admin Console restriction settings
I was recently asked if it’s possible to post a message to a Slack channel whenever the state of a monitor on allgood.systems changes (for example, a web ser...
Let’s say you have a (Windows or Linux) EC2 instance in a private subnet and want to access it interactively. There are several ways to do this.
My notes of building a computer based on the 6502 microprocessor following Ben Eater’s design.
