He double-clicked the clip. The source monitor flared to life. He hit play.
If you are looking for the specific technical highlights of this version, here is what the story touched upon: adobe premiere pro cc 2014
He didn't have to.
By late afternoon, it was time to render. He looked at the new Direct Link to SpeedGrade option. He toyed with sending the timeline over for a proper grade, but the Lumetri Deep Color Engine panel integrated right into Premiere was too tempting. He did a quick grade right there in the NLE. He double-clicked the clip
Nevertheless, the legacy of CC 2014 is clear: adobe premiere pro cc 2014