"The robots," Shcherbina barks. "Where are the German robots?"

Ulana Khomyuk (Emily Watson), a fictionalized composite of many scientists, visits the hospital morgue. In one of the most haunting TV sequences ever filmed, she forces a pathologist to dissect a firefighter’s body. The internal organs are —the bone marrow destroyed, the intestinal lining sloughed off. It’s a brutal biology lesson: acute radiation syndrome (ARS) does not burn from the outside; it destroys the body’s ability to regenerate cells. The firefighter’s wife (Lyudmilla Ignatenko, a real person) is shown unknowingly absorbing contamination by kissing his chest.

We see Legasov in his room. He is recording a tape. He speaks into the recorder, his voice quiet and desperate. "I have made a terrible mistake. I told them the core couldn't explode. But it did. I told them we could contain it. But can we? The cost... the cost is too high."

He scrambles up. He runs to the exit. The timer hits 58 seconds. He collapses inside the airlock. Medics swarm him. They cut his suit off. His skin is red. He looks at his hands. They are trembling violently.

Legasov begins to question his role. He sees the consequences of his earlier assurances. Shcherbina, initially a hardline bureaucrat, begins to crack under the weight of the decisions he has to make. He starts to see the soldiers not as resources, but as men.

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